The man in the photo studio told me that my film is long expired and there’s no point in scanning it.
But well, I like photographing on expired film. Mainly because you never know what you’ll get. When you finally see the photographs it’s nothing what you expected, nothing that you could remember – almost like the moment you captured on the photo has never happened. It feels like looking at your memories from a different perspective, something that is new but old at the same time.
A little bit like remembering something that you forgot a long time ago. That’s what I mainly like about the expired film.
“i used to tell my students, or maybe rather, classify photography in quite an original way: photography needed and not needed. Of course that’s a metaphor. Photography not needed is created with no influence from outside, that means, it’s a highly personal choice of the photographer. I’ve always told my students, and I continue to do it until today, do as much photography not needed as you can. It’s the most authentic, the most real and it tells us something about the author. Of course that terminology, needed and not needed – that’s only humoristic. It’s not important in the moment”
Vietnamese floating village in Cambodia. The boy in the photograph has been sent by his family for fisherman training at the age of six. This way he can guarantee himself a stable life once he’s older. Fishermen is this area earn around 60 dollars a month.
the first thing I recall from Madeira is color. Bursting, wild, overwhelming palette of shades, embraced by the sharp, Atlantic light, hitting my eyes on every occasion.
maybe that’s why I like the photographs of Madeira in black and white the most. jungle tamed. organised chaos. big, vast, the most authentic mix of colors, black and white x-rays the island and leaves only what’s essential.
I miss laying my eyes on the far away, vast landscape. Madeira is a big pillow.